Panasonic Lumix S1H in the test
Conclusion from 27. 01. 2020
The Panasonic Lumix DC-S1H does the same to its two siblings with a full-frame sensor in the test and inspires all along the line; only in terms of video performance. Almost no other mirrorless can currently keep up with such impressive key data and actual performance. The only exception we find at Blackmagic. In this way, the S1H not only adapts reliably to almost every passing situation, but also delivers sensational results across the board. Not only when taking pictures, but that's not what it's made for.
The values in the article refer to the test time of the product ( 27. 01. 2020 ) .
The below The ratings mentioned show how it compares to the other products in the leaderboard.
test ratings (compared to all tested products in this category)
- Editor's Review Very good (1.5)
- price-assessment Acceptable
- Price from 3.999 00 €
Panasonic Lumix DC-S1H in the test: all good things come in threes
The Panasonic Lumix DC-S1H follows in big footsteps in the test: Anyone looking for a video DSLM stumbles sooner or later on Panasonic cameras. The Micro Four Thirds models of the GH series enjoy a great and long-standing popularity among filmmakers. No wonder, for example, the devices of the current generation still offer video features more than two years after their introduction, which we simply cannot find in comparable competitors. No matter whether a finer color subsampling or higher data rates; In the past, Panasonic video DSLMs have always been pioneers and established professional functions in the consumer class. And so much in advance: The Panasonic Lumix DC-S1H also remains true to these virtues and sets the future standard in video quality for 35mm DSLMs.
Before the Panasonic Lumix DC -S1H is allowed to throw superlatives around in its prime discipline, the view goes to the operating mode for which the bulky case seems to have been created, at least in terms of shape; the photo mode. The heart of the DSLM is the same, stabilized on five axes 24 – MP 35mm sensor, which we used in the Find Lumix S1 . And the two sisters are largely identical in terms of equipment. Differences in the case are visible in the effective area of the right index finger and on the display on the back. The main switch is now located directly on the trigger. The button for starting the video recording is now very prominently placed next to the large shoulder display. Its traditional place next to the viewfinder remains empty.
Panasonic Lumix DC-S1H in the test: photographers, fingers away!
The Panasonic Lumix DC-S1H does a few little things differently in the test: the suspension and the resolution of the large 3 , 2-inch touchscreen has been changed slightly by the manufacturer: The display with now 2, 33 instead of 2.1 million pixels works as already in the GH series by up to 180 Degrees forward. In addition, the monitor now protrudes slightly from the housing. The space gained is occupied by two distinctive ventilation slots on the left and right. This should ensure better cooling of the image processor. The fan wheel installed behind it is only clearly audible when recording 6K videos. Instead of the memory slot for XQD cards, we finally find two in the Panasonic Lumix DC-S1H fast UHS-II slots under the cover on the right side of the camera.
The very clear, electronic viewfinder with a resolution of 5, 76 million pixels remains unchanged; the rest of the case as well. The already bulky body has a total of 1. 172 grams for the sisters again something. The handling for filmmakers is still exemplary, the DSLM is full and safe in the hand. In terms of functions and performance, we notice a similar shift towards video: the shortest exposure time for photos is only 1/8. 00 0s and the quality of the still images falls in comparison to the Lumix S1 reduced from. The Panasonic Lumix DC-S1H is around the board in terms of both resolution measurement and fine details 10 to 15 percent below the values of the sister model. The series length is also reduced: The Panasonic Lumix DC-S1H still handles a brisk 9 frames per second, according to 84 RAWs or 100 JPEGs is over, however. In itself, passable values, but the Lumix S1 shoots up to 1 at the same speed. 00 0 JPEGs or 120 Images in RAW. In terms of noise behavior, both DSLMs are at eye level and therefore at an excellent level.
Panasonic Lumix DC-S1H in the test: fire free in video mode
So to clarify one thing about the Panasonic Lumix DC-S1H in the test: If you are looking for a camera with a full-frame sensor, you are Unfortunately you ended up in the wrong article. In this case we can use the sister model, the Lumix S1 , recommend. It's not just a proud first. 500 Euro cheaper, but also delivers much better with the photo resolution and the recording of fast series. Even the high-resolution top model of the series, the Lumix S1R , is for round 300 euros less than the Panasonic Lumix DC-S1H. So we come to the criteria that justify the proud price of DSLM for many users in the end; the equipment for filmmakers and the video performance.
The Panasonic Lumix DC-S1H acts like a Lumix GH5 on steroids; And not just because of its beefy housing: Videos in 6K resolution – more precisely with 5. 952 x 3. 968 Pixels – and 24 frames per second at 10 bit color depth and 4: 2: 0 color subsampling land with a data rate of 200 Mbit per second on the two UHS-II memory cards ; fantastic key data! If the flat image profiles V-Log and V-Gamut known from the professional Vari-Cam are also used, the manufacturer promises a dynamic range of up to 14 Aperture levels between the darkest and brightest parts of the image. Who would rather with 30 or 25 want to film fps, you can do that with a maximum resolution of 5. 888 x 3. 312 pixels do. The finer 4: 2: 2 color subsampling with 10 bit color depth is only available with a resolution of 4096 x 2160 pixels say C4K , but with up to 400 Mbit / s as well as coding with only intra-frames.
The output to the external recorder, which can be connected via a standard HDMI port, also takes place in 4K . Friends of exciting slow motion switch down a gear, use FullHD and look forward to full 180 fps sensor output in mode with variable frame rate. In short: The Pansonic Lumix DC-S1H has the right combination of color coding, resolution, frame rate and data rate for every filmmaker and for every shooting situation. The video quality is also beyond any doubt: the Panasonic Lumix DC-S1H is between both in terms of measured resolution and fine details. and 20 percent above the values of the previous leader, the Fujifilm X-H1 .
Panasonic Lumix DC-S1H in the test: who needs the video monster?
Apart from these imposing values, we find a so-called dual-native ISO architecture in the Panasonic Lumix DC-S1H in the test , To put it simply, these are two independent circuits that regulate the sensitivity of the sensor; a rather insensitive circuit for pictures with a lot of ambient light and a more sensitive counterpart for low light videos. The choice can be made manually or automatically and significantly reduces noise. Speaking of which, the image stabilizer and autofocus are among the best that we currently find in a system camera. For more creative freedom you can also use the fastest shutter speed of 1 / 16. 00 Film 0s. The Panasonic Lumix DC-S1H transmits or receives time code via BNC adapter, which then occupies the flash sync connection on the front of the camera. Another highlight for experienced filmmakers is the option to be able to shoot with anamorphic lenses. The camera corrects internally and shows the finished image on the display without distortion.
So it is already worth taking the step towards 6K video and thus towards the Panasonic Lumix DC-S1H ? Here the opinions diverge: More video resolution is currently not available in the consumer area, that's a fact. The associated advantages in post-processing, Keyword cropping are not to be dismissed out of hand; Not to mention the outstanding quality of the videos themselves. Who urgently needs more than 4K video , so don't think twice. On the other hand is the consideration, the intermediate size with 5. 976 times 3. 968 to skip pixels and instead prepare for the next higher 8K standard. Forecasts assume that the corresponding recording devices will already end 2020 or beginning 2021 may be available to end users. A period of time that can still be bridged with a 4K camera.